How to interpret eight fortes? I think maybe I should hurl my whole body at the piano as violently as possible and hope for the best. They would find my bloody corpse weeks later amid the moldy coffee cups, odiferous testament to my devotion to the composer’s intent. How would eight be different from seven? Both must be so searingly loud as to be painful, a distinction between degrees of agony: if seven fortes is like being disemboweled by a wolf, then eight is like being disemboweled by a bear.
— Jeremy Denk, on Ligeti’s instructions to play eight fortes in Automne a Varsovie.